most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don’t mean “just shut up and accept that people hate your work,” i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: “i’m collecting data, so everything is useful.” i ask them where they put the book down, even though it’s too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn’t ask will read my work and tell me i don’t like it. and that is okay, you don’t have to like it. but i look at the thing that they don’t like and try to figure out if i care. i don’t like that you don’t capitalize. this one is common, and i have already thought about it. i do not care, it’s because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don’t know what’s up with that. next time i will work to figure out a different word, thank you. you’re whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does “whine” (up/down, the sound out your nose on the y), but i don’t know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer’s poetry.

repeated “good” advice clangs in a bell and doesn’t hold a real shape, dilutes in the water. like sometimes you will hear “don’t use said.” you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn’t bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use “said.” sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say “said” is very bad, and makes you feel bad in your body, because someone didn’t say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that “said” sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. “i know,” you said. “i know,” you sighed. “i know.” we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don’t use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don’t.

i usually say best advice is to read, but i also mean read books you don’t like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer’s version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn’t old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn’t know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn’t easy, but it was necessary. that’s what i’m saying - sometimes it’s good advice, because it’s not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn’t recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they’re big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their “internet poetry” as a sentence that tumbles across a white page:

outside it is sunset and
my dog is still in a gutter, bleeding a galaxy
out of his left paw.

or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there’s always somewhere else you could be growing.

i love you, keep going.

the car broke down by the denny’s where you used to work and therefore could never return to. i am trying to pick out the satisfying parts of my life, one-by-one, like i am 12 and in a frog dissection. everything in my life all viscera and formaldehyde. if i can sort the good things from the bad things, i will have a nice clean pile.

i call you and make it sound like i am happy and hangin’ in there! when really i am kicking a rock and i am outside without a jacket and i am so in love with you it makes the little bones in my ear shake. someone called my tinnitus an angel choir. i like that it means i carry the echo of every concert.

this isn’t the right setting for love. this is a roadside, and a denny’s, and i am nauseous and ashamed i never escaped the town where i grew up. the clouds here are this strange yellow, like spilled sour milk. “someone once told me that the orange coating on the teeth of a beaver is due to the particularly high rate of iron in their enamel,” i tell you. “the beaver is the largest rodent native to north america.”

your voice is crackly on the other end. i’m going into a garage soon, i might lose you.

what i should be doing is calling the tow truck and explaining that my brother’s car (that i’m borrowing) (that i broke now, i guess) needs to be lifted by another, bigger, stronger car (which is love too, i guess).

i shouldn’t say so much. i should wait, and let you ask about my mom, and ask if i ever got over that cold, or how it’s going at work. i should let you lead the conversation, for once, so the love doesn’t leak out of me into the gravel. i open my mouth anyway. “if you had to choose between being a beaver with very few trees or being a tree around a bunch of beavers, which would it be?”

i don’t know. your voice always has this warm cast to it when you talk to me, but maybe i am just imagining that - i am a poet, though, so i imagine things sort of chronically. through the static, you sound like you’re laughing. are you the beaver?

i know, like, logically, not to fall in love with a girl-that-is-your-best-friend. like, who would i even call if we broke up? you’re my best friend, you’re the person i’d want to speak to. so what if these last few months we keep sleeping over at each other’s houses, calling each other for hours, sending each other poems. so what if you keep wrapping your fingers into mine. no best friends. that is the first rule. what you are supposed to do in that situation is leave the situation.

but my car broke down, so. where exactly am i going to go? the car is a very-old chevvy and also where i almost-but-not-quite kissed you after you’d raised one shoulder and looked up at me and said i don’t know, i think i’m straight, but for the right person - i’d try anything. the music had been good and it had been raining and your thick eyelashes had made me feel god crawling up my throat like a spider. and i didn’t kiss you, because i am a coward.

anyway on the chevy the whole exhaust pipe fell out, and is now scraping on the ground like one silver finger stroking the back of the highway. recently we were watching netflix in my bed and you pushed my hair back from my face like you were making the slowest, most desperate prayer, and then your boyfriend called. i remember us both jumping. i couldn’t look at you in the eyes for like a week after. i kept feeling the heat of your fingerprint; computer science, you’d unlocked something dark in me.

google says the closest tow (joe’s pick up) is 50 minutes away and also closed permanently. so that’s not great. you live in another state and i should be calling my insurance company. i should be calling anybody else. this is not helping. i need an uber. i need to get moving. instead i say: “i need three words for a poem.”

yesterday i said love you, goodnight after our 2 hour call like always and then you just, like. paused. all i could hear was your breathing. and then you’d said what a pretty three-word poem. i love you too, sweet thing. the words made my tinnitus act up again, and i must have some kind of synesthesia, because the sound travelled into my mind until it became the shape wedding rings.

orange, you say. the static is now chewing through most of your words and i only catch - borrowing the chevy -

the call dies. i have 12% battery. i never get the 3rd word, but i know you’re still going to get a poem from me. actually this rest stop is kind of pretty, and so is the exhaust pipe, and so is joe’s pick up, and so are the clouds. the light here is the color of a glue trap. before you worked at the denny’s, we used to get milkshakes every wednesday and called it a friend date. you said you’d wanted to work there because it reminded you of me.

the sign’s gone dim. the letters now spell out deny. and isn’t that something.

oh i don’t know what young adult needs to hear this but you should google what day your 10,000th day will be & set a reminder in your calendar. it happens somewhere in your 27th year. i was really bummed when i googled my own and found out i had missed it by like 2 months.

(if you missed yours too, no worries, we both get another chance to celebrate 15,000 at 41. Unfortunately you will be 54 years old before you are 20,000 days old, at which point we will have overthrown the concept of linear time anyway)

life is very cute, and you have struggled a very long time to be here, and i love you. sometimes i think we need to invent our reasons for celebration. maybe today you are 10,345 days old. or 12,345. or 8,435. maybe u should just celebrate because it is a weekday, and those are hard days. i love u , light a candle and blow it out. i’m proud of you for staying.

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can’t talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i’m in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: “sometimes i want to cut open their mind to know exactly how autistics are thinking. it’s just so different! they must see the world so strangely!” later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they’re at least trying. and i was a person first, even if i wasn’t good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they “think” at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn’t in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there’s some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is “thinking” equal to “problem solving”? or is “thinking” data processing? data management?) i do not know how my dog thinks, either, but we “talk” all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it’s not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can’t afford the doctor’s you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.

(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)

but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you’ve done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn’t it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.

(what attention could this doctor possibly give? what validation? that’s their fucking job, isn’t it?)

there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking “for a quick fix”. or some idiot who wasn’t educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don’t deserve to be treated like humans (right), and since you might be one of these people, you also don’t get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you’re actually probably faking it.

(more often than not, you find a 2:1 ratio of these stories. for every “hypochondriac”, there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it’s too late, and it’s going to kill me.)

you are actually just making excuses. someone else got that procedure or that diagnosis and he’s fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you’re just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you’re just being a baby.

(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won’t, but that moment - god, fuck. the pain just goes on and on.)

you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn’t lying - the anesthetic drip hadn’t been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you’re just having a bad period.

in the ER there are always these little posters saying things like “don’t wait! get checked today!” and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.

but you go into the doctor. the problem you’re having is immediate. the person behind the counter frowns and says we’re not taking your insurance. you will be paying for this out-of-pocket.

they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you’re a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.

it’s okay. it’s okay, it’s just another thing, you think. it’s just another thing i have to learn to live with.

there’s a video on instagram of a man kicking his partner’s door in. the top comment is (with over 4 thousand likes): “how about you tell us what you did to make him that angry?”

barring emergency, nobody should be kicking anybody’s door in. many of us lived in houses where it was always, somehow, an emergency. there is a strange, almost hysterical calm that comes over you in that moment - everything feels muted, and you almost feel, however incongruently, like you should be laughing. you are living inside of “the emergency.” oh my god, you think. i am now a fucking statistic.

there is another comment with 2.8 thousand likes: “if this was a woman doing it to a man, nobody would give a shit.”

do people give a shit now, though?

barring emergency, the door should remain standing. the emergency should be panicked, desperate - “i’m coming in there to protect you.” many of us know what it feels like when the emergency is instead “i’m coming in there to get you.”

1.5k likes: “and yet you post this for notes. glad to see being the victim has become your whole personality.”

hysteria is a word connected to womb, from greek. what you’re experiencing is so senseless and inhumane that you (a rational creature) try to find any ground within what is irrational and cannot be explained. one of the most frustrating things about staying in bad situations is that we also lie to ourselves. we also ask ourselves - wow. what did i do?

women can be, and often are, also abusers. abuse is not gendered. abuse is not just a “straight person” problem. abuse does not have a face or figure or sexuality. you cannot pick an abuser out of a crowd. an abuser could be actually anybody.

and then so many people rally behind the man kicking the door in. here is something nobody should be doing, right? you want to ask every person that liked that first comment: do you ask this because you side with him? do you ask this because it helps you feel safe from this ever happening?

in some ways, you’re weirdly sympathetic to the top comment, because it is the same logic you see frequently. the idea is that the average, normal, sane person doesn’t just break down a door. doesn’t just shoot up a school. doesn’t stalk and kill women. doesn’t threaten sexual assault. doesn’t run over protesters. doesn’t shoot an unarmed black person. doesn’t scream at underpaid walmart employees. doesn’t just “lose it”. something had to have happened, right? because the default (white. straight. cis.) - that is someone who is always, you know. “sane.”

(right?)

on a podcast, you hear a sane, normal, rational person. “if you piss me off, i’m going to need to hit something. sorry but i’m not apologizing. that’s just who i am that’s how it is.” his voice almost sounds like he’s laughing.

you think of the door, and how you were almost laughing behind it, too. ironically, every real emergency in your life has almost felt peaceful in comparison. fire, car accident, flash flooding - these felt quiet, covenant to you. you’d stood in all of them, feeling them pass over and up to your chin, never actually overwhelming.

but when the door was coming down, you had felt - is there a word for that? there has to be, a word, right.

surely one of us has figured out the word for that, i mean. it’s such a large fucking statistic.

yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was “childish and naive.” you said i’d been misdiagnosed - “it can’t all be adhd. you might be just kind of stupid and lazy.”

i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.

the prompt for this poem is “mahler’s fifth.” i wish it wasn’t, but mahler’s fifth was our song. it ended up in my book. every person that knows your name has promised me they’ll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i’d never seen him furious. a punch isn’t going to do it, he said, and then said i’m sorry. i had to come to see if you were okay.

mahler’s fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.

later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn’t quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn’t good enough for you? you? you’re just… nothing.

sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn’t like most of my music - less to tie back to you.

but still mahler’s fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i’m you from the future.

i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you’re actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it “our fuck week.” the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.

every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn’t going to law school, despite the free ride - i was going to join a creative writing program. master’s in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst’s writing program for fiction authors. it is one of the the top 5 programs in the country.

wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?

the first time i went viral, it was for a poem i wrote about you:

he wants to say i love you
but keeps it to goodnight
because love will take some falling
and she’s afraid of heights.

every time i see that, i want to throw up. you weren’t in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.

mahler’s fifth still makes me sick.

give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.

give me back what you took from me.

at the end of the day it’s not that you hate your job - actually, you like working, you like routine, you like feeling like an adult - it’s that any time you fuck anything up, you feel like you’re fucking dying.

because you could be actually fucking dying. because if one day you wake up and you misunderstood something - you could lose your job, and nobody is hiring, and nobody is paying, and nobody takes people like you, and that job you want hasn’t gotten back to you. and what exactly are you going to do without insurance? good luck with those meds. you should have thought of that before being a person.

so it’s not just that you forgot to CC someone on an email, it’s that if you don’t have this job, you can’t afford rent. it’s not that you misread a comment, it’s that if you get fired, you will be in massive amounts of unpayable debt. it’s not that you are bad at your job, but here are the stakes as they have been decided for you: be perfect or fucking die. like, literally, die. that is how much safety net you have: none.

it’s not burnout, technically. but you literally just had two typos in your work, and you’re already picturing the ending. you want to throw up & curl up & make it all go away. it is two typos. if he decides he is mad at you, you lose literally everything.

your mom says that you seem stressed. the thing is that you have never known a job that isn’t stressful. welcome to capitalism. there is no other road, only this one. what the fuck is a career. you come here, and we hold your life against the barrel of a gun, and somewhere someone is spinning the chamber and pulling. eventually the bullet will come.

you live in a mugging. your boss owns three cars and has four kids. you worry about having enough to feed your dog. good luck. beg for forgiveness. CC the right people next time and be grateful, kid. somebody has it worse than you. someone, probably, has it worse than you. so what if you can’t sleep or eat or focus. your work chat sound literally makes you panic. you had to change the sounds of computer notifications so you’d stop having such an upset stomach.

welcome to the real world! the rat race! the dog eat dog circus!

your doctor studies the results and frowns at you. “it’s bad for your heart,” she says. “try to reduce your levels of stress.”

you spent hours in libraries and in art supply stores trying to absorb the artist tips from books your parents didn’t want to buy you. on each page of every “how to draw” is a version of the same four things: this is how you shade a sphere. this is how you shade a cone.

this is what a man looks like. he is hard and angular and jutting. his chest narrows a triangle down to his sharp hip and long legs. his jawbone is a square. he is powerful, imposing, his hands are big and meaty. he is a leader.

this is what a woman looks like. she is soft and her hands tuck her long hair back behind a delicate ear. she is big-eyed and round (but not too round, she is skinny, here is the faint sketch of her abs showing), she is smaller and lighter and pretty. she has thick black lashes and her tits do not come with a massive ribcage to offset the weight we put on her - she has curves, but they are impossibly slim without giving her backache trouble. there is a large red hourglass outlined on top of her figure, the way there is a triangle outlined on top of the man. her face is a heart-shape, and her lips are pouting.

here is how you draw the woman and the man together. the man should be in action shots. the woman’s ass should be in action shots. she should fit against the man to compliment his negative space - she should slot into his shadow so when they hug, they become one uniform space. here is how all the other artists have done it, see how good it looks when the man (angles, fire, passion, action) and the woman (roundness, water, emotion, supplication) complement each other? he begins the sentence, she is his ending.

do you want to kiss another girl? that is round-to-round. that is fitting the wire into the wrong socket! how would the faces look together? a single silhouette you sketch and then hide, scribbling over it.

do you want to look like a girl? by sheer genetic happenstance, you absolutely don’t look like that, and you never have. you don’t look like a man, either, though, do you. you don’t feel like you truly belong to either gender, but there is not a “neutral/fluid” drawing in the book. there is male (triangle) or female (hourglass).

but you have a square jaw and square hands and “masculine” proportions. but you have curves and roundness and full lips and “feminine” features. someone online says, definitively, that any form of gender noncompliance is “a mental illness.” this comment has over one thousand likes from people who agree.

here is how you shade a square. none of the clothes at the store look good on you, you always somehow feel like you’re wearing a weird kind of costume. here is how you shade a sphere. your friend’s mother calls the school because she’s horrified you’re in the same changing room. here is the neutral body figure: it is a wooden man. technically the wooden man is genderless, but that is because masculinity is the default, and everyone calls the figure “a wooden man.” you must be small and posable and skinny and featureless, then you can be masculine enough to not have gender.

here is how to draw a person. begin with some shapes. choose the right shapes to get that person’s gender correct. do not kiss her. shade in short, sharp lines.

when she laughs, look away.

i have spent a few days listening to the music you like. you have a tattoo of the band’s logo on your ribs. you got it when you were still kind of a kid. my first tattoo was a bird instead. i did the math - we got our first tattoos in the same calendar year. isn’t that kind of cool.

my mom loves hallmark movies, so i grew up thinking love would look like a firework. it feels like one, after all. it’s just that my house wasn’t safe. i thought love was a weapon, could be pointed at your eyes. could lose a finger to it, or teeth. my father used to say passion is everything. i thought that meant constant fighting was a good thing. i thought that meant love looked like a week of bickering, because it was worth the the weekend’s boombox apology. i thought quiet love was boring. i thought love had to blot out everything, compel the body and the mind like puppetry. i thought love looks like ruining your own dinner table - but at least you set a feast.

but love looks like a scarf. your hands smoothing it down my chest, being sure each of the edges are tucked in, worried about my asthma attacks being cold-activated. i race you while i’m wearing heels, you hold my hand to guide me downhill while walking my dog. we dance in my living room to waltz of the flowers, i show you how to hold your arms in proper ballet port de bras. you write a song about looking out of my window while the snow falls. i ask you to text my friends back while i’m driving. you play dj in the front seat. somewhere on route 93, we start murmuring about secret things.

oh. there is a difference between peace and dispassion. it was never that i feared quiet, it’s that i didn’t know what safe felt like. i liked the chaos because it was familiar, not because it was kind. i think i used to fear the word wife. i didn’t like the idea of long, lonely days and being yelled at for small things. i didn’t like the idea of sacrificing my one beautiful life.

you meet my friends and make a point to learn things about them. we both get excited about the other person’s passions. you read my book for hours, squinting at the small words. i try to understand basic guitar information. we talk for four hours on the phone while i string together a garland. we talk for six hours while you write a poem. i save a pintrest tip for the summer about making paper kites. i plan us a week-long trip to maine, map out my favorite places for an eventual hike. you fall asleep on the ride home, and i turn down the radio so it won’t wake you up. your quiet hands fold over mine.

when i look up, the stars are brighter. how carefully you’ve woven gold into the corners of my life. when i move, i feel some part of my soul reflected back onto you.

oh, love is not a net. it’s a blanket.

how many times can you live through the apocalypse?

when you were little there was this beach that was free to go to. you didn’t really like it on account of the litter. at one point, a white bag caught around your ankle, and for a moment (fish child), you panicked about jellyfish. on the foam, the red-pink words read thank you, stacked on top of each other, tangled in the kelp.

they have a new program (three thousand american dollars) to send your dead relative to the moon. there is a lot of evidence that our local orbit is becoming ever-more dangerously populated with “micro” satellites - debris in a round miasma becoming a thick web above us. maybe angels cannot hear us through the pollution.

you used to picture deep space like a thick membrane, or a blanket. someone said to you once the universe has no edge and that fucked with you for a long time, trying to picture what shape infinity has. your coworker is writing a short story about ecological collapse, which she is submitting for a little side-money so she can survive the current economical collapse.

the birds haven’t gone to sleep this winter. that is probably bad. something that actually freaks you out is the natural temperature of human bodies versus the survival temperature of certain fungi. there is a podcast called s-town, in which a man kills himself over climate anxiety. he was probably meant to seem sort of unhinged. it just seems like it is becoming increasingly clear he was being honest.

space is not empty, we have put our dead into the stars. at some point they will figure out how to put ads into our sleep. you need to pay for the greenlife subscription service to be able to save the world.

there is a lot of ways this poem ends. but you have been wearing the same jeans and shirts since you were, like, 18. it is a hard life, sometimes, watching the entire foundation crack. there was this one moment over the summer, where you were shaking with heat exhaustion and dehydration. you were offered a nestle water bottle.

for three thousand dollars, you can send your ashes into space.

instead, you wash out the peanut butter jar. you put the avocado-toothpick spiked seed ball into water (even though they never grow very far). you borrow what you do not want to buy. you pick up any litter you find. you do not have a lot of control, really. but where you do - if there is one thing you can do, you do it.

something about that. you need to believe that must be true for the rest of humanity. or maybe - you need to believe that to be true, or else there will not be a rest of humanity.

she’s three years younger than i am, and i put on cascada as a throwback, cackling - before your time! i’ve been borrowing my brother’s car, and it’s older than dirt, so the trunk is like, maybe permanently locked. when the sun comes through the window to frame her cheekbones, i feel like i’m 16 again. i shake when i’m kissing her, worried i won’t get it right.

in 2003, my state made gay marriage legal. where she grew up, it wasn’t legal until 11 years later - 10 years ago. if legal protections for gay marriage were a person, that person would be entering 5th grade. online, a white gay man calls the fight for legal marriage boring, which isn’t kind of him but it is a common enough opinion.

it has only been 9 years since gay marriage was nationally official. it is already boring to have gay people in your tv. it is already boring to mention being gay - “why make it your entire personality?” i know siblings that have a larger age gap than the amount of time it’s been legally protected. i recently saw a grown man record himself crying about how evil gay people are. he was begging us, red in the face - just do better.

i am absolutely ruined any time my girlfriend talks about being 27 (i know!! a child!), but we actually attended undergrad at the same time since i had taken off time to work between high school and college. while walking through the city, we drop our hands, try not to look too often at each other. the other day i went to an open mic in a basement. the headlining comedian said being lesbian isn’t interesting, but i am a lesbian, if you care. as a joke, she had any lesbian raise their hand if present. i raised mine, weirdly embarrassed at being the single hand in a sea of other faces. she had everyone give me a round of applause. i felt something between pride and also throwing up.

sometimes one thing is also another thing. i keep thinking about my uncle. he died in the hospital without his husband of 35 years - they were not legally wed, so his husband could not enter. this sounds like it should be from 1950. it happened in 2007. harassment and abuse and financial hardship still follow any person who is trying to get married while disabled. marriage equality isn’t really equal yet.

and i don’t know that i can ever put a name to what i’m experiencing. sometimes it just feels… so odd to watch the balance. people are fundamentally uninterested in your identity, but also - like, there’s a whole fucking bastion of rabid men and women who want to kill you. your friends roll their eyes you’re gay we get it and that is funny but like. when you asked your father do you still love me? he just said go to your room. you haven’t told your grandmother. disney is on their 390th “first” gay representation, but also cancelled owl house and censored the fuck out of gravity falls. you actively got bullied for being gay, but your advisor told you to find a different gimmick for your college essay - everyone says they’re gay these days.

once while you were having a hard day you cried about the fact that the reason our story is so fucking boring to so many people is that it is so similar. that it is rare for one of us to just, like, have a good experience across the board. that our stories often have very parallel bends - the dehumanization, the trauma, the trouble with trusting again. these become rote instead of disgusting. how bad could it be if it is happening to so many people?

i kiss my girlfriend when nobody is looking. i like her jawline and how her hands splay when she’s making a joke. there is nothing new about this story, sappho. i love her like opening up the sun. like folding peace between the layers of my life, a buttercream of euphoria, freckles and laughter and wonder.

my dad knows about her. i’ve been out to him since i was 18 - roughly four years before the supreme court would protect us. the other day he flipped down the sun visor while driving me to the eye doctor. “you need to accept that your body was made for a husband. you want to be a mother because you were made for men, not women.” he wants me to date my old high school boyfriend. i gagged about it, and he shook his head. he said - “don’t be so dramatic. you can get used to anything.”

the other day a straight friend of mine snorted down her nose about it, accidentally echoing him - she said there are bigger problems in this world than planning a wedding.

sick maple trees keep breaking into little pieces on this street, their limbs dusting in wood choreography. yesterday when i thought of a joke, i started messaging you the punchline. we don’t talk anymore, and your number is saved as DONT in my phone. it’s finally snowing in boston. it was supposed to be winter about 4 months ago. these days when i tilt my head up and open my mouth, nothing falls in; everything falls out. i feel like a jackrabbit, my heart all blanket-thick like i can’t breathe past whatever thing we weren’t-really-doing.

we weren’t together but you met my mom but we weren’t together but my dog loves you but we weren’t together but i still kept the candle you got me for christmas because you said it reminded you of our first not-a-date experience. your birthday is saved in my phone. i still use the recipe from your mom. i think i have half your shirts and you know where my earring went. you can keep it, i guess.

okay, i’m over it, because i have to be over it, because this isn’t a letter you can send. this is boston in january, and someone whipped up both hands to flip me off after they used a turning lane wrong. this is boston in the wake of you, with nobody knowing the shape of your footprint. i keep hearing the song we didn’t quite write together. i keep feeling dizzy in the shower. you can’t want something that wasn’t meant for you when you’ve been raised catholic. my dad would get a kick out of the irony of this, his little deacon hands laying prayer into the situationship. i’m supposed to be better about falling down, i’ve done it enough times by now to know the distance to the ground. something in here is good too - something about a church girl and finding god. you would have loved that, said it reminded you of how memories are a house with a view.

the punchline was really funny by the way. where do koalas get their medication from. pharmarsupials.

i love you. i’m sorry whatever we had wasn’t real enough for you.